AVClub: High-Rise, a darkly funny adaptation by cult English director Ben Wheatley (Kill List, A Field In England) of the J.G. Ballard novel of the same title, preserves the book’s ’70s setting, steeping its vision of a toppling society in retro decadence: brutalist apartments carpeted in ankle-high, cream-colored shag; flight attendants in red uniforms dancing in a pill-induced dream; women in tunic dresses slumping into sectional sofas or against walls of ribbed concrete, drinks in hand. An orchestral arrangement of ABBA’s “SOS” swells on the soundtrack as a man is thrown out of a costume party and into a futuristic elevator with mirrored walls. A super-modern apartment building on the outskirts of London, shaped like a Jenga tower frozen in its first moment of collapse, forms an ecosystem of excess, consumption, and delirium. The sunlight that cuts through its slit windows is the color of champagne.
With the new The Crow remake coming soon, we take a look back at the 30-year-old cult classic original–and where the stars are now.
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