Empire
There’s a sign doing the rounds at this year’s boom in protests that reads, “I can’t believe I’m still protesting this shit in 2016.”
You can imagine Ken Loach must feel the same way. After five decades of socially progressive dramas, and documentaries so politically hardcore they were suppressed like degenerate art, he came out of retirement to make this — a profound sigh of a survey of today’s marginalised and their relationship with the state. With I, Daniel Blake, he’s not angry; he’s very, very disappointed.
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