Variety
While Hollywood pays lip service to a call for diversity in front of and behind the camera, the engaging Hungarian dramedy “Kills On Wheels” proves that action speaks louder than words. In his sophomore feature, helmer-writer Attila Till puts a new spin on the term “differently abled” with this tale of two twentysomethings from a Budapest rehab center who enter a new realm when they become involved with a wheelchair-bound hitman. Although the English-language title is technically accurate, it doesn’t suggest the picture’s depth and nuance, nor the fact that it is really a coming-of-age story.
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