Empire
Why do we remember Jackie Kennedy? The mention of her name still evokes images of the perfect First Lady, ever camera-ready, a fashion plate, cool and poised by the President’s side. Or the darker vision of a grainy shock of incongruous pink crawling across the back of a limousine as her husband lay dying on the back seat, his skull shot open by Lee Harvey Oswald. We remember her visually, yet what did she do? Pablo Larraín’s insightful biopic draws her as a woman whose purpose was to frame history. Not to create it in any political sense, but to package it for the people, to make it memorable.
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