Collider
I can’t remember the last time I saw a movie that went out of its ways to so thoroughly shut down its lead character, and without someone we can root for (beyond our agreement that Holocaust deniers are bad), Denial becomes a lecture about the value of shutting down liars, and yet it almost strives to be smaller than it is. At one point, Lipstadt points out that the danger with someone like Irving is “He’s making it respectable to have two points of view,” but Rampton articulates the film’s solution when he tells Lipstadt, “what feels best isn’t what works best.” Rather than asking us to engage, Denial advocates for a calm, clinical approach that can’t help but feel privileged and pedantic.
Bionic gives sibling rivalry a whole new level in cinema with the dystopian addition that stands as a reflection of our increasingly technology-dependent world.
Colors of Evil: Red Review: is an impactful and disturbing watch that could've opened up its mysteries a bit slower.
Bionic Ending Explained: The fate of the two sisters and the bionic illegal trade, what happens to it all is answered here.
