EW
Even if you weren’t hip to all of the production woes that went along with the making of Gavin O’Connor’s pedestrian death western Jane Got a Gun, you’d still walk out with the suspicion that something must have gone awry. Since the film’s last-minute rewrites, casting switcheroos, and musical chairs behind the camera are irrelevant to the actual quality of the movie, I’ll avoid rehashing them here, save to say that the disarray shows on screen.
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