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If ever there was a vision of Disney perfection made flesh, Angelina Jolie’s cartoonishly beautiful face is it. But with the added CGI augmentation of production designer-turned-director Robert Stromberg’s (Avatar, Alice In Wonderland) stunning visuals, gothically gorgeous costumes and a twinkle in the eye that is half-acting prowess, half-reptilian contact lens, she is truly magnificent to behold.
Yep, Maleficent may be a revisionist raiding of Disney's 1959 larder, giving Sleeping Beauty’s witch both a backstory and motivation for her baby-cursing spell-peddling. But like last year’s Oz: The Great & Powerful, it requires a heartfelt and multi-faceted protagonist (Mila Kunis' Theodora, not James Franco's Oz) to draw more than nippers in – and keep them enchanted.
But this is not just Jolie porn. Screenwriter Linda Woolverton gives both cast and audience something satisfying to chew on in re-vamping a traditionally misogynist fairytale that perpetuates fear of female pu...
Christopher Nolan’s Oppenheimer walked into the 96th Academy Awards and blew everyone away, winning seven Oscars on the night. But is it Nolan's best film yet?
Cancel all proposed awards ceremonies and hand over the major gongs to Peter Farrelly's Ricky ;Stanicky.
Late Night with the Devil will be The Exorcist for a new generation.