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Total Film | Edge of Tomorrow Review

TF:

Groundhog Day-meets-Starship Troopers is the pitch for Doug Liman’s first foray into sci-fi since the disastrous 2008’s Jumper saw a would-be franchise unravel before it got going. Thankfully this smart, taut actioner is of the standard we usually expect from the maverick filmmaker who brought us The Bourne Identity and Mr. And Mrs. Smith after grabbing Hollywood’s lapels with hip indie Swingers.

Tom Cruise is Lt. Col. Bill Cage, a wimpy PR strategist content to sit out the fight when US troops pour into England to help stem the alien invasion that’s sweeping through Europe. Then he pisses off the wrong people and finds himself locked into a heavily weaponised exosuit and cast into the frontline of a beach invasion. Mere minutes into battle, he splats off his mortal coil.

Short movie? Well, here’s the hook: Cage jolts awake at the exact spot he inhabited 24 hours before, and again finds himself thrust into action. He dies, resets, dies, resets (each death ghastlier than the last), and Edge Of Tomorrow (game)plays out with this reluctant soldier having to find his way off the Saving Private Ryan-esque beach before graduating to the next level: rescuing the world.

The breakneck pace leaves little room for meaningful character development, and the climax, set in a flooded Paris, fails to match the handheld ballistics of the earlier scenes. But there’s imagination, spectacle and thrills to spare. There’s a freshness here too that comes not only from the structure, but from Edge Of Tomorrow being a shiny new property in this cyclical age of sequels, prequels and spin-offs.

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Does the ultra-violent new movie, Boy Kills World, glorify violence or encourage a world without it? We see the latter.

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Secrets of the Neanderthals Review: History of the Other Us - Filmzzine

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“Monsters, Inc.” Was About More Than Just Facing Your Fears | FlickLuster

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