TF:
Abi Morgan (Shame, The Iron Lady) has based her script on the biography of the same title by Claire Tomalin. Ellen ‘Nelly’ Ternan (Felicity Jones) is just 18, a member of a professional acting family, when Dickens (Ralph Fiennes) casts her in a play he’s producing in Manchester – a melodrama written by his friend and fellow-novelist Wilkie Collins (Tom Hollander).
Weary of his wife, and struck by Nelly’s intelligence and youthful beauty, the 45-year-old novelist makes his feelings known. And though fearing social disgrace if the affair gets out, Ellen finds the attentions of the world’s most famous writer impossible to resist…
Following up his applauded directorial bow Coriolanus (2011) – and again doing double duty – Fiennes helms with skill and subtlety. Where his earlier Shakespeare adap offered plenty of blood and thunder, there’s no melodrama here.
Fiennes makes telling use of subdued lighting, and his portrayal of the great writer rings true: a man revelling in his fame but insecure, restlessly driven by inner demons. There’s fine support from Kristin Scott Thomas in the small but key role of Nelly’s mother, and Hollander richly comic as the raffish Collins.
Chasing Coriolanus with another multi-tasking success, Ralph Fiennes crafts a moving account of a secret affair – with Felicity Jones riding high as the lady in question.
Does the ultra-violent new movie, Boy Kills World, glorify violence or encourage a world without it? We see the latter.
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Shaz from GL takes a new look into the broader themes of one of Pixar's oldest animated feature films.
