TVOM: "Everything about American Crime, at least through four episodes, is about image, about interrupting specific presentations of self, of others, or of situations which we are on the outside of. This idea of undercutting assumed perceptions seeps through every facet of the show, most notably its cinematography, which continuously distorts conversation and visual continuity, allowing conversations conveying one idea to play in voice-over, over static shots of characters exhibiting very different behaviors. Of all the episodes to this point, “Episode Four” hits this drum harder than any other – and like previous episodes, continues to be a mixed bag of how it handles (or heavy-handles) its story and players."
The Doomsday Cult of Antares De La Luz Review: The documentary explores how the cult members were coerced in the group and made accomplice of heinous crimes.
Don’t let the cringey awkwardness of The Office fool you: Michael Scott would actually be the perfect boss.
City Hunter Review: The manga adaptation unravels the tragic beginning of Ryo Saeba and Kaori Makimura's partnership.
A strange choice for an ABC show, granted, and a really bland one at that.