AVClub: Joss Whedon started out his big-screen finale, Serenity, of his small-screen show Firefly with a long, continuous, point-of-view take snaking through the titular ship in order to give the viewer a sense of space, an awareness of the physical area the characters occupied. “Fist Like A Bullet” accomplishes the same without any lengthy Steadicam shot. Bar fights are tight and tense; the fields confining and endless; the bathtub both welcome and menacing—a solitary island in the large room. It all works so well for a show that continues to rely on everything except story and dialogue, both of which continue to drag flat. However, “Fist Like A Bullet” losses up more so than the debut and the show is better for it.
Chillopedia: Sometimes, the most hated characters seen on TV can fall into either side of the spectrum. So, here are 15 of the most hated TV characters of all time.
The Doomsday Cult of Antares De La Luz Review: The documentary explores how the cult members were coerced in the group and made accomplice of heinous crimes.
Don’t let the cringey awkwardness of The Office fool you: Michael Scott would actually be the perfect boss.
