Pedro Almodavar's 'Pain and Glory' frames itself as a confessional, but it is ultimately content to merely scan the surface.
Pixar's creative chief officer reveals why the legendary animation studio is putting less of themselves in their upcoming slate of sequels.
Bionic gives sibling rivalry a whole new level in cinema with the dystopian addition that stands as a reflection of our increasingly technology-dependent world.
Colors of Evil: Red Review: is an impactful and disturbing watch that could've opened up its mysteries a bit slower.
