Empire
The third in the Bridget Jones franchise opens in a familiar fashion: Bridget is alone, an overflowing glass of white wine in clenched fist as she sadly sways on her sofa to the strains of All By Myself. Until suddenly she stops, exclaims 'Fuck off!', switches off Sad FM and flips on House of Pain. And just like that Bridget is back: still bumbling and fumbling but immediately funnier and sharper than before.
Does the ultra-violent new movie, Boy Kills World, glorify violence or encourage a world without it? We see the latter.
Secrets of the Neanderthals Review: The Netflix documentary unearths some new discoveries about the Neanderthals, who disappeared off the face of Earth.
Shaz from GL takes a new look into the broader themes of one of Pixar's oldest animated feature films.
