Variety
The 2000 film “Center Stage” — the source material for “Center Stage: On Pointe,” which is itself the third film in what we are now forced to call the “Center Stage” universe — is, for what it is, modestly brilliant. Written by Carol Heikkinen, who also wrote cult classic “Empire Records,” and directed by Nicholas Hytner, a theater director of some acclaim, the original “Center Stage” is a slightly too-cerebral melodrama about the pressures of professional dance meeting the pressures of being a teenager. It did not do notably well at the box office, but — like “Empire Records” — “Center Stage” found an audience after its theatrical release, due to some combination of home video sales and TV airings of the relatively family-friendly film.
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