IGN
In the end, there is nothing horribly wrong with Forsaken, but there isn't all that much right about it either. The shootouts aren't terribly special; John Henry's deep, dark, secret isn't all that different; and the plot is so well used that the movie barely explains it, counting on the audience to know McCurdy's motivation from having already seen someone else make the same sort of land grab in some other movie. It isn't unenjoyable, but a month or two after watching Forsaken one would be hard-pressed to identify it from a lineup of westerns if it didn't stand out solely for being the one with both Kiefer and Donald Sutherland. That just isn't enough.
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