Collider
When it was first announced that Cameron Crowe would be writing a series for Showtime that focused on the backstage hijinks of a rock band, many of us went mooned-eyed envisioning “Almost Famous: The Series.” The 2000 movie — Crowe’s most personal work, and one of his best — took viewers on the road in the days of vintage rock and roll in a way that was funny, emotional, and ultimately affecting. Roadies may share some of those same desires, but it falls short of executing them in a meaningful way. Sometimes you need more than a cool shot and a great song. You need an actual plot.
The Doomsday Cult of Antares De La Luz Review: The documentary explores how the cult members were coerced in the group and made accomplice of heinous crimes.
Don’t let the cringey awkwardness of The Office fool you: Michael Scott would actually be the perfect boss.
City Hunter Review: The manga adaptation unravels the tragic beginning of Ryo Saeba and Kaori Makimura's partnership.
