Jeremy of The Daily Rotation wrote, "When Casa de mi Padre was first announced as an actual film that funny man Will Ferrell would star in, I almost couldn’t believe it. Sure, Ferrell has done his fair share of comedy, but never a full-blown Spanish language western. And never something this serious. Make no mistake, Casa de mi Padre is a comedy, but it’s also very much a more traditional Spanish western, full of showdowns, horse riding and the occasional cigarette rolling break. Casa de mi Padre shows a little bit more behind the crazy mind of Ferrell, letting us in on his appreciation for the genre. It’s not really a spoof movie; it’s more of a worthy entry in the genre, kind of like Hobo with a Shotgun."
With nothing promising coming out in the following weeks, Meodia recommends 6 titles to check out on Netflix while you wait for the February slate to hit.
Daniel Joslyn "Geek films dominated the box office in 2012, but that does not tell the whole story. Some movies lived up to impossible expectations. Others bombed as expected. Some movies that nobody had heard of in 2011 turned out to be amazing, while other movies that had a huge build-up were mostly greeted with disappointment. It’s hard to pick out one overarching story but I would say it was this – in an increasingly fragmented world, geeks are the last bastion of the collective experience."
Think Casa De Mi Padre was never released theatrically outside the U.S.
Bought a Blu Ray copy and have to say it is hilarious! Will Ferrell is a genius.
Rented a copy of The Hunger Games and in all honesty it is over-hyped and an absolute inferior copycat of the Japanese film Battle Royale.
Examiner.com writes: Will Ferrell is the master of the absurd, the king of the crazy and the lord of the nonsensical. No other comedian working today can hit those highs like he does but the same can be said for the lows as well. His films are generally hit or miss, his misses often being odd curiosities that are forgotten rather quickly (Blades of Glory, Semi-Pro) and his hits becoming instant cult comedy classics (Anchorman, Step Brothers). He has also made a handful of legitimately good films (Stranger Than Fiction, Everything Must Go), but until now he has never made a film that can be considered a hit, miss and a legitimately good film all wrapped up into one. Well, maybe that good film part is stretching it a bit in this case.