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When not name-dropping Ava DuVernay or hooking up ramshackle sound-systems to blast Kendrick Lamar‘s “DNA” in the park, the denizens of Issa Rae‘s Los Angeles in Insecure often indulge in one particular race-driven period melodrama on TV. In the show, Regina Hall plays a slave who carries on an illicit affair with her master (Scott Foley). In one scene, they plan a clandestine rendezvous; in another, she is getting scolded for learning how to read by the lady of the house. It’s tawdry, obvious, manipulative, and clearly very popular.
40 years after its release, we look back and everything that made Ghostbusters so amazing–and how it can never be replicated again.
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