The Wrap
In “Gemini,” Aaron Katz regards Los Angeles the way many transplant filmmakers seem to: intrigued, repulsed and yet hopelessly in love. The allure resides in L.A.’s visible, unapologetic contradictions. No one wants you here, but everyone is quick to say, “Hello, hi, happy to have you” in anticipation of a time where they may need you. Relationships are transactional; people, disposable.
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