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What would have worked for a Full House revival, potentially, would have been a movie or a two-part special. But Netflix’s gamble that kids of the late 80s and early 90s would be propelled through this misplaced series with the same fervor as a GIF-laden BuzzFeed list is a bust. I don’t even feel specifically betrayed by this new incarnation, even though I grew up liking Full House; it’s just more of a general disappointment that turns into a question of why anyone made this, and why I wasted my time watching it. Quality means more than quantity, and ultimately, Fuller House serves as a reminder that some things are better left to the past.
Jean-Claude Van Damme suffered a slump in the 2000s, best exemplified by projects like In Hell, which is currently doing great on Paramount+.
Taron Edgerton and Jason Bateman steal the show in Netflix’s action thriller Carry-On.
TNS: "The Lord of the Rings: The War of the Rohirrim is a violently imperfect return to Middle-Earth that still manages to remain engaging."
I liked it.. except for the token Spanish kid. She's annoying like nails on a chalkboard.