Christian Science Monitor
Quentin Tarantino’s “The Hateful Eight” opens with a six horse-drawn stagecoach galloping through a Wyoming snowscape. The film was shot in 70mm Ultra Panavision and so the vistas are vast. The same cannot be said for the drama occuring inside those vistas.
To be accurate, the main action is preceded by an overture – remember those? Tarantino is nothing if not old school. (There hasn’t been a movie shot with these Ultra Panavision lenses since “Khartoum” in 1966.) The music is by Ennio Morricone, who did the score for Tarantino’s favorite movie, Sergio Leone’s “The Good, the Bad and the Ugly.” “The Hateful Eight” dispenses with the Good and goes with the Bad and the Ugly.
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