TVOM: "And then, Bosch all of a sudden got political. There have been shades of the larger political and legal systems at play in the world of Bosch, but never have they been front and center as they are in “High Low,” throwing Irving into a world of vague motivations and heavy exposition, creating an odd contrast between the upcoming election and Bosch’s various stories, with only a slight sense that the two are connected in any meaningful way. It’s an odd shift, moving from seven episodes where Bosch is featured in nearly every single scene, to “High Low,” which essentially splits Irving’s story with Bosch’s, even though the latter is really the only one we’ve spent time with this season."
The Doomsday Cult of Antares De La Luz Review: The documentary explores how the cult members were coerced in the group and made accomplice of heinous crimes.
Don’t let the cringey awkwardness of The Office fool you: Michael Scott would actually be the perfect boss.
City Hunter Review: The manga adaptation unravels the tragic beginning of Ryo Saeba and Kaori Makimura's partnership.
