EW: Imagine Peter Jackson in a general’s cap, planted wide-stanced in front of a huge New Zealand flag, teeth clenched around a cigarette holder as he rallies his troops of CG artists. While the reality is less Patton-esque, designing and creating the 45-minute fight at the climax of The Hobbit: The Battle of the Five Armies is much like preparing
for an actual full-scale assault. “There’s a lot of logistics that have to be thought through,” says Jackson. “We have dwarves and men and elves and orcs, all with different cultures, with different weapons, and different shields and patterns and tactics.”
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