NY Times: “The Grey” continues what has become a welcome seasonal movie tradition. For the past three winters, just when the Oscar nominees you’ve missed are trying to dazzle and guilt-trip you with visions of Importance, a lean and angry Liam Neeson shows up at the multiplex, out for righteous payback or at least the paycheck that no one would dare begrudge him. Buy a ticket, punk! Having paid his quality biopic dues as Oskar Schindler, Michael Collins and Alfred Kinsey, Mr. Neeson has, at least for now, turned to the rougher and perhaps more lucrative work of action heroism.
In a world where monsters attack at night, we see yet another world, post-apocalypse, where a handful of people struggle to survive.
Crime Scene Berlin-Nightlife Killer Review: This documentary series really drops the ball with its storytelling.
In a movie that largely sidesteps what the war is about, “Civil War” puts us in the point of view of journalists who make it clear there are no heroes in war, just dead bodies.
