MovieLine: There’s a danger in dismissing Aki Kaurismäki’s Le Havre as lightweight just because it takes the most generous attitude possible toward human nature. Being jaundiced about the world is easy — it takes relatively little energy to expect the worst from everyone. But it’s harder, as the dour Finnish filmmaker has shown us time and again, to allow for the possibility of surprise in the way people behave and treat one another, and the rewards are far greater. Kaurismäki’s comedies are characteristically charcoal-toned — never quite black — but the unapologetically hopeful Le Havre is more silvery-gray. It’s an open-hearted Eeyore of a movie.
