Slant Magazine: Rob Marshall's philosophy for shooting action sequences seems to be roughly equivalent to his approach to musical numbers: give 'em as little as possible. Just as the danceless "dance" sequences that polluted the director's Nine were assembled a posteriori in the editing room, thus obviating the need for choreography, the numerous fight scenes in Pirates of the Caribbean: On Stranger Tides feel cobbled together from hundreds of disparate snippets. No scorched-earth Greengrassian postmodernist, Marshall imbues his sword fights and chase scenes with a semblance of visual coherence, but he's careful not to linger on any single bit of action long enough for viewers to register the significance of the image they've just witnessed.
CCG writes - "The Shift is not rated, but I would guess it would receive a PG or PG-13 rating. If you’re interested in a sci-fi retelling of a Biblical story, check out The Shift in theaters next month!"
The upcoming Garfield Movie resumes production Chris Pratt reveals in a behind-the-scenes Instagram post this week.
Ketika Berhenti di Sini has moments of relatability and heartbreak but with stakes this low, you'd expect anyone to succeed.
