NY Times:
Jean-Luc Godard once observed that every fictional film is a documentary of its actors. Jacques Rivette finessed the aphorism, proposing that every film is a documentary of its own making, not only a record for posterity of the people in it but also a window into the culture that produced it.
In a very literal sense, all films have documentary aspects: once the camera is turned on, whatever is captured, no matter how staged, contains a trace of reality, an element of chance. The inverse is true as well: no documentary, whatever its claims to objective reportage, is ever devoid of manipulation, since a controlling hand is evident in even the most routine matters of camera placement and shot selection.
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Going Home With Tyler Cameron Review: This is a simple, no-nonsense but cliched watch, with Cameron's boyish charms taking centre stage.
Kaam Chalu Hai Review: Based on true events, this movie is thought-provoking and inspiring
