NY Timeout: World War II was certainly a bore if we’re to believe this dully competent look at the FTP-MOI, a Gallic resistance force led by French-Armenian poet Missak Manouchian (Abkarian). There’s nothing stirring or engaging about their exploits; the clock just dutifully ticks down the days and incidents until the revolutionaries are led off to SS slaughter (cue explanatory credits scrawl).
Leigh Whannell’s Wolf Man claws at the traditional horror tropes, but dig deeper and there’s something more lurking beneath the surface.
When it comes to the horror genre, Leigh Whannell doesn't miss.
How does an action movie like Alarum mess up its action scenes so much?
