BoxOfficeMagazine: It's reductive, if not simplistic, to label the underground films of Jim Finn as mockumentaries. The word has become synonymous with writer/director Christopher Guest. And while Guest's films (Waiting for Guffman, Best in Show) are accessible to mainstream humor lovers, Finn's movies, while similar in form, exist at an experimental remove, attacking Communist and Marxist thought in a fashion that goes beyond comedy and satire and into a singular realm sui generis.
Tumse Na Ho Payega Review: This is a story about the journey of an entrepreneur, but it ends up being flat at some point.
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