In the hands of filmmaker Jean-Pierre Jeunet, whimsy is practically an automatic assault weapon. That doesn’t mean his pictures aren’t sometimes inspired. At their best — as with A Very Long Engagement (2004) or the The City of Lost Children (1995) — they can be wondrous, otherworldly mechanical inventions, the kind of dark, glittering things Jules Verne might have dreamed up if he’d fallen asleep watching Mulholland Dr.
Will Deadpool and Wolverine end the MCU losing streak?
Deadpool & Wolverine wakes up the superhero genre with a swift kick to the taint.
The Beast Within asks if the beast is a mask or the true form.
