BoxOfficeMagazine: After a dignified gap between Coco avant Chanel (Anne Fontaine’s take on the fashion icon with Audrey Tautou) comes an exploration of one of her tempestuous affairs with the Russian composer, Igor Stravinsky. Perhaps Fontaine’s film will give added box office impetus to this completely different period of Chanel’s life, rather than simply scrabbling for the same audience that sought out the earlier released biopic. Upscale fashionistas will swoon and suitable box office draw will follow.
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