From Variety: "Brian De Palma has used the Italian film composer Pino Donaggio on and off for over 40 years, ever since their first (and still greatest) collaboration, “Carrie,” in 1976. Donaggio, with his lushly purple neo-Bernard Herrmann dissonant extravagance, is to De Palma what Angelo Badalamenti has been to David Lynch: a composer of rapturous dread-infused melodies that evoke a kind of meta-romantic Old Hollywood delirium. Yet to hear the unmistakable sounds of yet another lavishly orchestrated Donaggio swoonfest laid over the flat, static expository scenes of the choppy benumbed “international” police thriller “Domino” is to watch De Palma trying to create cinematic fire out of burnt-out match sticks."
With the new The Crow remake coming soon, we take a look back at the 30-year-old cult classic original–and where the stars are now.
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