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The Wrap | 'Good Time' Review

The Wrap

The spirit of independent cinema is alive and well, but it’s also grown frustratingly familiar. Go to Sundance or SXSW, and you’ll find a bevy of meandering movies built on the existential despair of middle-aged white men, quotidian characters who are often despondent, divorced, or both. Their unrest is the crux of the movie.

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