Variety
“Nothing’s ever mine, not to keep,” the newly widowed Jacqueline Bouvier Kennedy mordantly observes midway through “Jackie,” Pablo Larraín’s relentlessly close-up take on history’s most iconized First Lady. She says it as she looks around the palatial House that tragedy is forcing her to swiftly vacate — and with Ladybird Johnson already perusing fabric samples, to boot — but she’s speaking of far more than just the roof over her head.
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Kaam Chalu Hai Review: Based on true events, this movie is thought-provoking and inspiring