Variety
The notion of a “midnight movie” is still enough to provoke a primitive tingle of excitement. It is, after all, not just something you watch at midnight — it’s something that belongs at midnight. It’s a movie that opens up into the darkness, into the strange and the outré, the forbidden, the jaw-dropping, the eye-widening, the mind-blowing. It’s something — in theory, at least — that’s not ready for prime time. No movie, of course, absolutely has to be watched at midnight (though Alejandro Jodorowsy’s 1970 “El Topo,” the spaghetti Western head trip that started it all, sort of does; it wilts in the sunlight).
Down the Rabbit Hole Review: The story follows Tochtli as he navigates his strange world, and begins to question the morality of his father's actions and the source of their wealth.
The Idea of You Review: Anne Hathaway and Nicholas Galitzine's electric chemistry is thoroughly enjoyable in simple, fluffy romantic film.
Heeramandi Review: Sanjay Leela Bhansali's epic is a mesmerising watch, filled with revenge and the struggle for love and power.
