AVClub: Ever heard the one about the girl eaten alive by showbiz? That’s the meat, more fetid than fresh, that Nicolas Winding Refn tears his teeth into with The Neon Demon, which gives a deep-red (and Deep Red) paint job to the most moribund of cautionary tales: the rise and fall of a bright-eyed ingenue. Last time the Danish director shot a movie in Los Angeles, he made dream-pop noir from the minimalist crime sagas of Michael Mann and Walter Hill. Returning to the nocturnal cityscape of Drive, Refn perverts All About Eve into a baroque death reverie—bathing the fashion industry in harsh pools of giallo light, slowing time to a hypnotic crawl, chopping away all but the faintest traces of plot. Style doesn’t triumph over substance in The Neon Demon. It devours it.
Bionic gives sibling rivalry a whole new level in cinema with the dystopian addition that stands as a reflection of our increasingly technology-dependent world.
Colors of Evil: Red Review: is an impactful and disturbing watch that could've opened up its mysteries a bit slower.
Bionic Ending Explained: The fate of the two sisters and the bionic illegal trade, what happens to it all is answered here.
