AVClub: Another season of Bloodline has concluded and another Rayburn sibling has brutally murdered someone else. Hey, at least it wasn’t family this time! The biggest shock of the finale ends up being something much more muted than that brutal murder and comes from a much more grounded place. But I’ll get to that. This is Bloodline we’re talking about, so I’m going to take my damn time just like this show loves to do. Throughout these 10 episodes, I’ve been trying to figure out if season two wholly justifies its own existence. There are some magnificently acted parts throughout, and Bloodline has opened up its universe significantly, teasing out its initial themes of family and fate. But it doesn’t all click into place in the same way season one does. And some of the character arcs just don’t even make sense. One thing is for certain: Bloodline creators Todd A. Kessler, Glenn Kessler, and Daniel Zelman are gunning for a third season. This finale throws more shit on top of shit instead of providing any kind of tidy resolutions, and there are both emotional and plot-driven cliffhangers. Season two started out depicting a clean up, but the mess has only grown bigger.
Honeymoonish Review: The supposed rom-com explores the genre of 'marriage of convenience' and proves why it shouldn't have happened in the first place.
From the opening scene, there's an unsettling, burning tension simmering in Francis Galluppi's The Last Stop in Yuma County.
The Doomsday Cult of Antares De La Luz Review: The documentary explores how the cult members were coerced in the group and made accomplice of heinous crimes.
