AVClub: This felt like the episode of Bloodline I’ve been waiting for. It doesn’t necessarily fix all the shortcomings of the season, but it’s a rare episode of the series that has a conclusive and engaging arc all on its own. So many episodes of Bloodline feel like table setting, and that’s certainly true of the first three installments of this season. Bloodline does a lot of building—slow, meticulous building. In season one, it all came together, but the writers hooked by teasing what was to come. In season two, they’re asking for even more patience. But “Part 17” has a clear beginning, middle, and end. It sends John on an specific arc that reflects the more zoomed-out question he has been grappling with for the entire series. On a macro scale, John has been asking himself the question of whether he is good or not. Last season, his series-defining monologue—doled out in bits and repeated often—included what became the first season’s tagline: “We’re not bad people, but we did a bad thing.”
City Hunter Review: The manga adaptation unravels the tragic beginning of Ryo Saeba and Kaori Makimura's partnership.
Deliver Me Review: The Swedish series follows two troubled teen and their troublesome lives when one of them is shot dead.
Fight For Paradise Review: This reality show is nothing new but there are so many uncomfortable moments that will definitely give you the ick.
