AVClub: The Catch comes at a perfect time for Shondaland. How To Get Away With Murder started dark and only got darker in its uneven but occasionally stellar second season. Grey’s Anatomy has been quite the downer all season, with one particular death leaving a sizable scar. And then there’s Scandal, which has buried so deeply into its increasingly confusing political machinations that it has become a distorted, muddied version of itself. Here comes The Catch, with its simple but thrilling premise, its bright red hues, its zippy energy, its magnetic cast. As the closer for the powerhouse TGIT lineup, The Catch provides a final act that’s considerably less dismal than the rest of Shondaland right now. As a side effect, it’s also considerably less potent.