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We Got This Covered | 'The Finest Hours' Review

We Got This Covered

Much like Bridge Of Spies, you won’t leave the theater blown away, but as far as January releases go, Disney’s The Finest Hours is like a shining beacon in a hazy fog. No single aspect vigorously excels, but like a well-oiled machine, each component of this whirring engine does its job cleanly and clearly, steering audiences out of harm’s way. At the very least, you’ll walk away fulfilled and revitalized, shaken awake by a story of astounding triumph – and that’s an awful nice feeling for this time the of year.

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