We Got This Covered
Coming into the second half of its third season, The Fosters proves why it has been such an interesting addition to the teen drama genre. The show’s attempt reflect the diversity of America and portray familial and romantic relationships that are not often seen onscreen is echoed in the interactions of its core characters, who speak and act like real teenagers rather than comedy writers. With that in mind, hopefully as the season progresses The Fosters can refocus on not just being the best drama it can be on paper – but also retain its identity as a show that is as entertaining as it is progressive.
The Doomsday Cult of Antares De La Luz Review: The documentary explores how the cult members were coerced in the group and made accomplice of heinous crimes.
Don’t let the cringey awkwardness of The Office fool you: Michael Scott would actually be the perfect boss.
City Hunter Review: The manga adaptation unravels the tragic beginning of Ryo Saeba and Kaori Makimura's partnership.
