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The Wrap | 'The Finest Hours' Review

The Wrap

Telling a true story on film doesn’t relieve the writer or the director from portraying that event in a way that feels dramatically honest and coherent. This might seem like an obvious rule, but in a calendar year that opens with Michael Bay‘s “13 Hours” and now “The Finest Hours,” it seems like one that needs to be part of every film school curriculum.

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