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What Culture | 'Joy' Review

What Culture

I’ve never fully bought into the biannual Russell-Lawrence-Cooper showcases that zap far too much Oscar hype than they should, mainly because they have no real point beyond the aesthetics. Joy surprisingly rectifies that, to an astounding degree. It’s just a shame that, in imbuing the film with purpose, Russell lost the unflinching entertainment that bolstered his other, lesser movies.

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