Variety
If the first “Star Wars” (1977) hadn’t already been rebranded “A New Hope,” that optimistic title might have applied just as well to “Star Wars: The Force Awakens,” by any measure a rousing, even restorative seventh chapter in the immortal space-opera saga established and now relinquished by George Lucas. Reinvigorating the franchise with a welcome surge of energy, warmth and excitement after the misbegotten cycle of prequels released between 1999 and 2005, incoming writer-director J.J. Abrams seems to have had the original three films firmly in mind when he embarked on this monumental new undertaking, structured as a series of clever if sometimes wobbly callbacks to a trilogy that captivated a global audience and helped cement Hollywood’s blockbuster paradigm.
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