Variety: Put aside everything you know about the birds and the bees. Lucile Hadzihalilovic’s “Evolution” proposes an entirely new paradigm to explain where babies come from, burrowing into young men’s subconscious anxieties about those aspects of their biology that they can and cannot control — including fear of penetration and pregnancy — to create an unsettling companion piece to her 2005 arthouse provocation, “Innocence.” Whereas that film was rather faithfully adapted from Frank Wedekind’s boarding school-set novella, in which prepubescent girls are groomed for ambiguous adult roles, Hadzihalilovic’s latest nightmarish allegory is entirely her own invention, an open-ended visual feast that disconcertingly turns the tables on the snips-and-snails set for a narrow, yet discriminating cult audience.
Joblo
Having an opinion about movies is a funny thing. Sometimes, I am right there with the crowd and love the big blockbusters or critical darlings (like Spider-man: Homecoming) and other times I find myself boggled at how the public has nothing but vitriol for what is an otherwise fun movie. Last year, the Ghostbusters remake was the talk of the summer movie season thanks to the divisive nature of the all-female cast and purists who could not accept anything aside from a true sequel to the original.
Joker is so much more than Batman's arch-rival, he represents society's evolving fears. At a time when comic book movies are becoming more grounded in realit...
Have you heard about that Pixar Studios is almost 30 years old? That's the reason why GameSpace would like to present the Evolution of Pixar.
