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“Four-and-a-half billion years, nobody here,” muses astronaut Mark Watney (Matt Damon) as he stands on Mars scanning the desolate desertscape. “And now? Me.”
It’s a miracle all right, and the magnitude of the achievement is set up by the very first image of The Martian, Ridley’s Scott’s fourth foray into science fiction: a rotating shot of space, immense, infinite, with the red rim of planet Mars blazing danger even as it acts as a beacon to human endeavour.
Does the ultra-violent new movie, Boy Kills World, glorify violence or encourage a world without it? We see the latter.
Secrets of the Neanderthals Review: The Netflix documentary unearths some new discoveries about the Neanderthals, who disappeared off the face of Earth.
Shaz from GL takes a new look into the broader themes of one of Pixar's oldest animated feature films.
