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Tracing a Taoist priest’s foray from his hermit-like existence into the secular world, Chen Kaige’s “Monk Comes Down the Mountain” is an uncharacteristically lightweight martial-arts caper with a touch of Zen (and sin). Told in the old-school tradition of wuxia serial novels, the film’s simple fable of good and evil unfolds with wondrous visuals that recall the stylistic chutzpah of Chen’s “The Promise,” but absent that pic’s kitschiness.
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