TVOM: "Bosch‘s approach to bread crumb storytelling has led us exclusively down familiar roads for murder mystery shows: family secrets, serial killers, cops who smoke cigarettes, etc. Within that framework, it’s relied heavily on performance to enhance supremely conventional material, which it’s mostly been able to do, thanks to the extreme focus on its titular character and a strong supporting cast filling in the margins. However, as the show begins to focus more and more on Raynard, painting him as the moral nemesis and spiritual reflection of our hypocritical hero, Bosch’s simultaneous embrace of slow burn narrative and conventional characters are working against it, with nothing intriguing to fill the space between."
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