The Robocop remake is not as bad as everyone feared it would be, but that’s also not quite the same thing as the movie being good. Obviously the remake in no way comes close to matching the wacko, blood soaked satirical success of Paul Verhoeven’s 1987 masterpiece. However, it’s not as if that little diamond of entertainment has been left untouched since then. There have already been two disappointing Robocop sequels as well as a crappy cartoon and an even worse live action TV series. Robocop’s legacy has already been sullied by projects far worse than this remake. It probably ranks just below Robocop 2 in the franchise (and Robocop 2 isn’t very good either. Robocop 3 is just that bad). But I digress. Fanboy rankings aside, the primary issue here is intent. The original Robocop represented a cockeyed satire of America and Hollywood action movies at a time when such a thing was sorely needed. This Robocop attempts to sneak in a little political satire, but ultimately fails and is dogged by a PG-13 rating that neuters the cartoony ultra violence that is as much a key to the original flick’s appeal as the titular robotic cop.