Stallone stayed on the project as writer/producer after the Statham transition and it very much feels like one of the nutso gems Sly wrote for himself back in the day (though sadly, it’s not as completely insane as Cobra). Judged in any straightforward way, it’s not a particularly good movie given that it’s filled with plot holes, idiotic leaps in logic, cheesy dialogue, and cardboard character types. However, if you’re a fan of the genre that Stallone helped create and Statham continues to carry a torch for, the cheese is part of the fun. Even the best examples of this genre are films that must be laughed at as much as enjoyed straight, and Homefront is just endearingly ridiculous enough to qualify as a guilty pleasure.
Does the ultra-violent new movie, Boy Kills World, glorify violence or encourage a world without it? We see the latter.
Secrets of the Neanderthals Review: The Netflix documentary unearths some new discoveries about the Neanderthals, who disappeared off the face of Earth.
Shaz from GL takes a new look into the broader themes of one of Pixar's oldest animated feature films.
